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I wanted to write this review a few days ago, but I needed time to collect the thoughts on the movie. I even let it play in the background to process its slow pace. It beautifully captures the essence of Mumbai, the pouring continuous rain, apartments, local trains, crowded streets, and small shops.

The story focuses on three women: Anu, Prabha, and Parvathy, each at different stages of life. Anu is a carefree teenager, rebellious against societal rules. She secretly meets her boyfriend of different caste despite knowing the challenges. Prabha is married but lives alone. She is kind-hearted and helps others. Parvathy is an older woman who cooks in a hospital pantry and struggles with exploitation at the stay. Prabha support Parvathy to stand up against the injustice.

As the plot unfolds slowly, their frustrations and irritations come to light. Anu feels unsupported by her parents and burdened by societal expectations and pressure like marriage and caste. Prabha is angry at her husband for abandoning her to face life alone. Parvathy resents the oppressive system thrown at her.

The turning point comes when Anu and Prabha help Parvathy move back to her village. Until this moment, the movie feels ordinary, and you might wonder why it was made. It’s like peeping into someone else’s life through a window. But as Parvathy returns to her roots, a sense of relief washes over her. The three women celebrate with a dance. Prabha unknowingly helps her husband, who later apologizes for leaving her. Earlier, a doctor had approached Prabha, but she had refused his advances. She tells Anu, “You can’t escape fate.” Anu then opens up about her boyfriend.

In the final scene, all three women sit together in dim light, sharing laughter, and the movie ends on a warm note.

I did like the way Shiaz opened up and loved the kid with EarPods, dancing. For me, the film felt like a reflection of one person at different stages of life, each finding a way to overcome darkness.

It requires hell lot of patience to watch, but it leaves you with a impact.

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turtles all the way down!

Sunandhini R

After a hectic schedule, I finally got some time to watch a thought-provoking film. Interestingly, this wasn’t recommended to me. I watched it while surfing through Prime Video. Perhaps it was the intriguing title that caught me in. Though I don’t want to dig deeply into movie, this one made me to reflect on the lives of the women in this story

Bansal, the Principal
Bansal represents the rigidity of a system she seems to have inherited. She is shown as a strict disciplinarian who enforces rules on the girls, dictating how they should dress, who they should interact with, and how they must behave. Ironically, she advises them to ignore boys’ misbehavior rather than addressing it. Initially, Bansal appears harsh, even suspending students for their behavior. However, she later hands over the key to Sri, indicating a shift in perspective or priorities.

Priya
Though her role in the movie is brief, Priya’s character exudes assertiveness and rebellion attitude.

Anila
Anila is beautifully portrayed as both a mother and a woman striving to reclaim her identity. Married young, she navigates a void in her life, with minimal meaningful conversations in her marriage. Mostly about the finances! The movie highlights her attempts to challenge societal norms, encouraging her daughter to dress freely, protecting her from imposed restrictions, and trying to break away from traditions. While she seeks to connect with her daughter and be the “good mom,” she finds herself drawn to Sri’s attention, messing the whole journey.

Mira
Mira, the movie’s lead, is the perfect fit for her role as the head prefect. A disciplined, high-achieving student. However, her life takes an unexpected turn when she develops feelings for Sri, a new NRI student. Mira’s struggles are clearly portrayed as she balances her academics, peer pressure, challenges of a relationship and the jealous . Her once strong discipline falters, especially when her boyfriend Sri grows close to her mother, Anila. Mira’s journey subtly reveals the importance of education and self-awareness. Looking back, perhaps she ignored the red flags, such as Sri insisting she “sit properly” when others were taking photos or he could’ve them not to take. Girls will be Girls, maybe the title suits well, Lol!

One standout scene shown was the students assuming adult roles. The male students were chasing mira and it was quite scary to watch. They portrayed dominance, patriarchy, and fear. I am not quite sure off what the director wants to say!

The climax was understated yet impactful. Mira’s intelligence shines as she identifies Sri’s manipulative tactics, realizing he uses people for his benefit. In the end, the film beautifully captures how both mother and daughter find solace in each other, offering the attention and understanding they both need.

This movie was simple yet powerful exploration of relationships, societal expectations, and self-discovery. Anila’s perspective could have been explored more deeply to make up the narrative as a whole. Available in Amazon Prime! Not everyone’s cup of coffee! Let me know your thoughts in the comment section!

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turtles all the way down!

Sunandhini R

It’s been almost 20 days since I wrote my last movie blog. I’ve watched a few movies since then and even thought of writing, but the blank screen stopped me every time. Tho, I was little occupied, I managed to watch two new ones and even rewatched an old favorite. These three movies are perfect for a weekend watch.

I also started a K-drama called Brewing Love. After 3–4 episodes, I decided not to continue. Strange, I know! Anyway, here are my recommendations for this weekend!

KD (2019)

This delightful movie takes me back to the first COVID lockdown in 2020. Movies was my coping mechanism back then. It’s heartwarming and filled with warmth. The story revolves around an old man rediscovering his inner child through a little boy’s company. Their bond is refreshing and pure bliss to watch. The small things they do for each other make the movie special. I won’t spoil it, watch it yourself. It’s available on Netflix and Amazon. Highly recommended!

Kishkindha Kandam (2024)

Initially, I thought this movie would be about monkeys, given the title. But it turned out to be very different and surprisingly good. The story explores the power of memory. Unlike many movies that deal with lost or unwanted memories, this one shows how Appu Pillai has gains the ability to retrieve and delete memories. Though he didn’t wish for this power, curiosity drives him to uncover and destroy parts of his life’s memories. It’s available on Amazon.

Lucky Bhaskar (2024)

This is a great entertainer. I’m unsure if it’s based on a true story, but the plot draws inspiration from Harshad Mehta’s case. The movie portrays middle class mentality and struggles very well. One of the key messages that I understood from the movie is that winners know when to quit. The dialogues are strong and relatable. Maybe, Dulquer’s hairstyle could’ve been better. It’s available on Netflix.

Cheers

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turtles all the way down!

Sunandhini R