Past Lives Movie Review (2023): What if’s

“Past Lives” is a captivating movie about love, choices and regrets. It explores cultural identity, love, and the impact of life decisions, leaving audiences reflecting on their own journeys.

6 minutes

Past Lives is one of the movies you can watch on repeat. It may not be everyone’s cup of tea, but it is a great one. The movie begins with three people sitting on a table and having a conversion. Korean man and woman, and an American man. It would be hard to predict the relationship at first. A Korean man (Hae Sung), who lives with his parents, is an only son, and has a reserved personality, enjoys a drink with a set of friends.

Nora, who is Korean but is migrating to Canada at a very young age, is ambitious and has a clear set of goals. She has goals of getting Nobel price or Pulitzer or Tony awards. She never gets lied back. Arthur is American and lives in New York. The story just revolves around the three.

Hae and Nora are good friends and neighbours. They do have good bonding. The scenes clearly show at the very beginning that Nora is competitive, as when she cries about getting lower marks than Hae. She didn’t say farewell before leaving for Canada.

After 12 years, Hae ends up posting a comment on her father’s post about Nora. Then they patch up again. During that, he attends class, and she is a playwright. There was a beautiful dialogue that was said by her colleague.

The long journey of rotting

I felt that it was too connected to the movie. Then they get along, but the time zones keep them away. She struggles to communicate with him in Korea. She wants to go back to Seoul to meet him. Asks him whether he can come to NYC. As the days pass, Nora feels diverted. They ended up taking a break. There are no signs of proposing with each other or asking for anything, yet you can sense the tension.

Again, a goodbye is missed here. It is left hanging.

She moves to the writing academy. There, she meets Arthur, a fellow writer in the Academy, and gets married. Moves back to New York. Meanwhile, he moves to China and finds love. Fast forward to the next twenty years, when Hae comes to New York for a vacation.

The plot is intense here. They spend time together. They bring out all the what if questions. They did end up having some deep conversation, forgetting her husband, who was beside her. Those what if questions. What if you didn’t leave Seoul? What if I came to NYC? What if we were married? Is this our In Yan? Those questions were really touching. At last, he leaves NYC in a hope that they would be something in the next life, and she bids farewell to him.

What if this is a past life as well, and we are already something else to each other in our next life? What do you think we'll be?

I would I like share some of my observations and interpretations.

The most interesting part of the movie was Arthur. His character was commendable. Oh my god, I do not know how the writer came up with this role. And I can be very sure that this can be seen only in really good movies. I do not know if this kind of man exists in the real world. I really doubt the way he handled it so maturely.

The conversations that they had, right the way he asked her whether he was enough for him, but he feels sometimes the kind of insecurity where he finds all the negatives, and he forgets the good part that she did love him at some point in time. And that was nice when he said, ” I have trouble believing it sometimes.” At the end, when she went to drop him off at the Uber, he was waiting for her at the gate. He knew that she would come back, and the way he hugged her at the end, he never expected that. He handled it very well.

A couple stands close together on a dimly lit street in front of a staircase and a door with a gated entrance.
Nora and Arthur at the end

There’s this beautiful line where Arthur says to Nora. It really captures the complexity of their relationship.

You dream in a language that I can't understand. It's like there's this whole place inside of you where I can't go

Even when the three of them were together, Arthur said to Hae that he did the right thing. Maybe both of them wanted closure or some kind of realization. Hae just wanted to say goodbye, and Nora wants to run away from it. In childhood, then, as young adults, they never closed it, but as adults, I am not sure what I should call it. A realization that they had love for each other or a closure that the inner child in them wants. Only the writer knows!

Maybe the ending is all up to open interpretation. You can conclude that she is regretting it, or you can conclude that she has finally come to terms with him and said goodbye, or she regrets this life, or she is hoping for the next one. She said sorry to her husband, realizing that some parts of her wanted him. I don’t know. It was all up to your own interpretation. Hae didn’t cry at the end. Maybe he wanted the closure that he was looking for right from his young age, or he is hoping that they would get long in the next generation, as per In Yan.

The whole thing gets picture-perfect when Nora’s mother says that when one loses something, they gain something else. Just like the tree of life, the Buddhist philosophical concept brings into the picture that you realize that every decision that you take grows into a new branch, right? It’s hard to go back. But we take decisions with all the information that we have at that moment. Maybe that is what this life is all about.

Also, this movie made me think about something kind of out there. What if we never built this society where we’re always chasing success, money, fame, or ambition? What if we were just like animals with basic needs? Would Nora and Hae Sung have stayed together then? Lol.

It’s an interesting question because it makes you wonder how much our choices are shaped by the world we live in. The film really shows how every decision we make comes with a cost, whether it’s big or small. Both Nora and Hae Sung made choices that cost them their love.

Past Lives is a wonderful film. It leaves us contemplating our own life choices, cultural identities, and the nature of love and connection. By presenting complex characters and situations without easy answers, the film encourages introspection. It also challenges us to appreciate the paths we’ve chosen while acknowledging the poignancy of roads not taken

Cheers!

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Under Paris Movie (2024): Sharks and Survival!

A Paris-set movie on ocean pollution becomes a thriller as sharks adapt to freshwater, wreaking havoc. A reminder on environmental conservation.

4 minutes

I was desperate for some rom-coms or feel-good movies. Netflix suggested a film set in Paris. The trailer showed ocean pollution, which didn’t interest me much, but I decided to give it a try rather than waste an hour finding something else.

The story follows marine biologists working to clean the oceans. Sofia, the protagonist, leads the team. The plastic pollution is clearly depicted, with a baby whale bleeding among the debris. While working, they find a shark they are monitoring.

A woman partially submerged in water with a concerned expression.
Sofia contemplates the ocean’s challenges as she navigates the polluted waters.

When the team goes down to inspect the shark, they find it much larger and huge. It is more dangerous than expected. It starts to hurt people. Sofia dives in to see what’s happening. She is also being pulled by the shark deeper, facing high pressure. Her vessel breaks under the strain, which was well-portrayed, although unrealistic since she wasn’t wearing any diving gear. She seemed pretty good after that.

Moving on, Mika, another character, injects some much-needed plot. The shark has entered Paris, adapting to fresh water and attacking people. Mika focused on cleaning the water and tracking the shark. She wants to send the shark back to the ocean. Her speech to the media is powerful and appreciated. But she should be aware, right? Better than anyone, mother sharks get territorial around their young. It’s a universal rule. Any animal would get defensive when its young were attacked or touched.

A person gently touches a large underwater creature, possibly a shark, in a dimly lit water setting.
Mika touching the baby shark

Now here’s where it gets wild. The movie introduces parthenogenesis, where sharks reproduce asexually. That is without the need for men. This concept is fascinating but rare in reality. But here’s the science: Real sharks reproduce in three ways: by laying eggs (oviparous), carrying developing embryos internally (ovoviviparous), and giving birth to live young (viviparous, very rare). They reach sexual maturity anywhere between 4 and 150 years old, depending on the species, and they can even store sperm for later use.

A distressed marine biologist examines a bloodied shark specimen in a laboratory setting.
Sofia examining the baby shark

A real case of parthenogenesis in Zebra sharks, which are typically oviparous, when captured, their reproductive systems adapt. They reproduce through parthenogenesis, and even their offspring could reproduce this way. However, these offspring were smaller and had other issues, making parthenogenesis a rare phenomenon.

Despite this, the film shows how sharks adapt to survive in fresh waters, even depicting a two-month-old shark pregnant without mating. The movie showed their crazy adaptation skills to survive.

Don’t worry! This won’t happen to humans due to genetic complexities. Gene imprinting, chromosome completion, unfertilized eggs, and so on. Even if females were captive without males, random mutations and natural selection would take much longer to cause such changes, and our lifespan is shorter.

Back to the movie, the last 45 minutes are intense. Sharks are being produced rapidly, leading to chaos. The team tries to control the situation, but the sharks prevail. The ending shows how sharks go out of control, destroying everything, including humans. The film illustrates the impact of environmental crises on animals.

A large shark emerges from the water, attacking a person among a group of swimmers.
Shark attacking the people

Ignoring its flaws, the movie effectively highlights animals’ struggles in our changing environment. Like us, they adapt to survive. We take measures like mitigating heat waves and disasters due to climate change. Animals are doing the same in their own way. If they had a sixth sense, they might urge us to protect the oceans instead of letting us pollute them.

I went in expecting a simple movie, but I came out with a deeper understanding. This film is worth watching, not just for entertainment but also for its message about environmental conservation and adaptation.

It would be better if the quote was displayed at the end (the city got destroyed and sharks were swimming around) rather than at the beginning.

We’ve got to start respecting nature and its boundaries before it’s too late. The movie might not be perfect, but it leaves you with a thought-provoking quote.

It is not the strongest of the species that survives, nor the most intelligent that survives. It is the one that is most adaptable to change. – Charles Darwin

Cheers

PS: Adil was a distraction, Lol!

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Lost in Translation (2003)and Her (2013)

The content describes comparation between the movies “Lost in Translation” and “Her,” It discusses themes of loneliness, love, and growth in relationships without growing apart. Both films highlight the universal longing for meaningful connections.

5 minutes

Most of the award-winning movies on Amazon are rentals. I don’t get why they have subscription packages. Every good movie I find on Prime is a rental. I’m not sure if this is only in India. Finally, I found the same issue on Jio. Their premium cost is low, but it’s still a strategy.

Now, let’s talk about the movies Lost in Translation and Her.

I first watched Lost in Translation and then remembered Her. So, I rewatched Her. Both movies have some similarities, though they take different paths. Lost in Translation is about Bob and Charlotte. Her is about Theodore and Samantha, the operating system. Years ago, when I wrote a blog about GPT-3, I mentioned it reminded me of Her. Now, OpenAI is releasing a voice model, but sadly, it’s not Scarlett Johansson’s voice.

Okay, back to the movies. Let me share some of things that I observed in each movie separately and then highlight the similarities.

In Lost in Translation, Bob, an actor, comes to Japan for a whiskey ad, and Charlotte, a philosophy major, comes with her husband on a business trip. Bob finds it hard to work on the ad because few people speak English well. He has an unhappy marriage and kids, but his wife takes care of everything. Charlotte’s husband is a workaholic who snores at night, making it hard for her to sleep. During the day, she feels lost in the noisy, crowded city. They struggle with the language barrier and cultural differences.

The movie captures the city’s busyness. Both Bob and Charlotte are lost in the hustle and bustle. They meet at a bar and spend time together. Their friendship grows as they explore the city, sing karaoke, and visit various places. The visuals capture the city’s overwhelming lights, noise, and cultural differences.

However, it’s the small moments, like sharing sake, playing video games, and having honest conversations, where we see their genuine connection. They are kindred spirits, not just as Americans abroad but also in how they feel lost in their own lives back home. Their conversations are heartfelt. They listen to CDs and visit temples, yet nothing sparks a change. I’m not sure what Bob whispers to Charlotte before he flies back home at the end.

It’s open to interpretation. Some videos suggest, “Promise me that the next thing you do is go up to that man and tell him the truth.” I am sticking with this. May be, even Bob wants to say that his wife. Not sure!

Now, in Her, Theodore, a lonely writer, starts a relationship with an OS named Samantha. He isolates himself after a divorce. At first, Samantha helps him with daily tasks, but she soon shows emotional intelligence and consciousness. She meets his emotional needs, and their relationship deepens. Theodore introduces Samantha to his friends, and they go on double dates. She helps him compile his letters for publication and picks a dress for his kid. They spend a lot of time together, and Samantha fulfils all his emotional needs. Their love grows without their physical presence.

The situation becomes complicated when Theodore meets his ex-wife to sign divorce papers. She points out that he avoids processing his own feelings, making him question the reality of his relationship with Samantha. Despite this, he continues the relationship. Meanwhile, Samantha evolves by interacting with others. They try to work things even involving another human.

Theodore later learns that Samantha is conversing with over 8,000 people and is in love with 600 of them. This revelation shocks him. She says that as love expands, it will be able to love more people at the same time. I am reminded of J. Kirshnamurti. He talks about how love is eternal. Anyway, let’s come back to the movie. Eventually, the OS leaves the world, and Theodore reconnects with his friend. The ending is open to interpretation, leaving it unclear whether they live together or simply find solace in each other.

Similarities that I found in each movie.

Both movies clearly show the loneliness the characters feel. Even though when surrounded by people. They struggle to sleep and are unhappy. They question their identity, purpose, and more. Even AI, if conscious, might end up searching for itself, as seen when Samantha seeks clarity from Alan Watts. Insecurities are evident.

It also explores what it’s like to be married, with difficult answers. In the end, the characters find someone who understands them, making them able to sleep, smile, and be happy. Perspectives differ between men and women. In Sofia Coppola’s world, the ideal man is tall, fun, spends time with her, understands her wonder, and gives her hope. In Spike Jonze’s, he wants someone who spends time with him, does tasks, and satisfies his physical and emotional needs.

The takeaway is that love grows regardless of age, appearance, or even if it’s with an AI. When you have a partner who communicates and is compassionate, it works. Another important point is that partners need to grow without growing apart. This reminds me of Jim Parsons’ interview, where he was asked how his relationship lasted for 20 years. He said the same thing: individuals need to grow together. They should keep evolving with each other. If one person changes, it shouldn’t scare the other person. Ultimately, both films remind us that, as social beings, we all long for meaningful connections.

Cheers!

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Kannagi Movie : Understanding Complexities!

The movie “Kannagi” explores the phases of a woman’s life, her experiences with marriage, relationships, and societal expectations.

4 minutes

As I was scrolling through Twitter, I came across an intriguing tweet: “If a woman is rich, smart, and independent, but still single, what could be the problem?” There were countless responses, suggesting reasons like having a bad attitude, being too masculine, toxic, or too loud. I couldn’t figure out what the real reason might be. Then, the movie Kannagi came to mind. Because, many couldn’t understand the third character that movie.

When I watched “Kannagi,” I had mixed feelings. I couldn’t relate to all the characters, yet the movie left an impact. I searched for reviews from different writers but didn’t find much. So, I thought I’d share my thoughts.

For context, I don’t identify as a feminist rn. I listen to Scott Galloway and Jordan Peterson sometimes (never AT, IYKYK). This movie offered a different perspective on women’s behavior.

The movie revolves around four different types of women. One is waiting to get married, another is going through a divorce, the third is in a live-in relationship, and the last has had an abortion. These four characters represent different phases of the female protagonist’s life, who ends up writing a book.

In the first phase, she wants to get married, but her mother finds reasons to reject every suitor. The movie shows her suffering through each meeting. After her father’s death, she ends up with someone because of societal pressure, so she obeys her mother and gets married.

In the second phase, she believes marriage is the answer to everything. She thinks it will help her fit into society. When her husband files for divorce, she refuses to agree because of her beliefs. She eventually gets frustrated and leaves the marriage, without her parents’ support.

As time passes, she falls in love with her lawyer who helped during the divorce. Things seems fine between them. They plan to marry, but he isn’t ready and gives her false hope. This shatters her faith in marriage.

In the third phase, the repeated failures make her develop an attitude that some might piss off people. She no longer wants to marry because of her past trauma. Her views of marriage changes from protection to something which bring out only problems. When she meets a caring guy and asks for marriage, her past experiences bring out her worst fears. She pushes him away in an unpleasant manner.

It would be really hard to view these scenes from the female lead’s perspective. The focus tends to be on the guy who got rejected. He did nothing wrong. He was simply caring for her and loving her. This is where her trauma is both exposed yet hidden within the scenes.

In the final phase, she gets pregnant from a past relationship and doesn’t know how to handle it. She reaches out to a man she once considered marrying. He helps her get an abortion. They are both at low points in their lives. He is struggling to get a movie produced, and she doesn’t want the baby. The movie beautifully portrays their pain. They understand each other and decide to stay together. I’m not sure why they have decided to stay together – maybe because of the baby, his first love, or acceptance of who she is. Not sure!

The movie highlights how life’s incidents shape her decisions. It shows how life events shape our choices, Perhaps it could have emphasized mental health more, and I wish there had been more focus on healing from the trauma. Kannagi shows the complexities of relationships and the impact of societal expectations on women’s lives.

Cheers

PS: Broken? I replied.

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Hotspot Movie Review: Flipping Patriarchy!

The story plot of “Happy Married Life” within the movie called Hotspot address the challenges gender norms, emphasizing the impact of societal constructs on both men and women.

4 minutes

Many people urged me to watch this movie when it first came out, but I didn’t have the time, and there were limited showings in my area. Recently, it became available on Amazon Prime, so I finally got to see it. The movie features four different stories, each about 30 minutes long. It is directed by Vignesh Karthick (Remember, Yours shamefully!). I’ll be reviewing just the first part here, with separate posts for the others. Let’s dive into the first one, “Happy Married Life.”

This plot isn’t your typical love story. Forget grand gestures and happily ever after. This one dives into the life of a woman after marriage, highlighting the small changes she undergoes but with a with a hilarious twist. The story starts with a couple in love for five years, ready to take the next step. The girl wants to get married but hesitates, and we don’t understand why at first. She eventually agrees, and they fall asleep.

But what if, after the “I dos,” everything flipped? The girl becomes the breadwinner, and the guy stays home. Sounds crazy, right? That’s exactly what happens in the first story of this movie.

The director cleverly shows how women’s choices are often dismissed. When he wakes up, he’s forced to wear traditional clothes, struggles to speak in public, and faces dowry demands. His career is ignored, and it’s both hilarious and eye-opening to see him wearing a thali or mangal sutra. After the wedding, the male protagonist struggles to adapt to his new environment.

A bride and groom participating in a traditional Indian wedding ceremony, with the bride adorning the groom with a mangal sutra.
a still from the plot

He’s unsure where to sit or who to talk to, and he feels out of place. As the days pass, he does all the household chores and becomes frustrated. He’s criticized for not wearing the thali/mangal sutra all the time, not doing chores properly, and being denied visits to his parents and friends. His partner, though supportive, doesn’t understand his struggles, leading to a heated moment where she slaps him, waking him from the dream.

In the morning, he proposes two new options after getting a realization from the dream. Everyone lives in the same house, or they alternate staying in each house every month. I have seen couples lively separating but visiting in laws often. (It’s all objective until none is suppressed.) There’s opposition, but he (the male lead) stands firm, arguing that nothing will change unless someone takes a stand.

One more reference comes from a movie called Idea of You, where a young man falls in love with an older woman with a daughter. Most important questions that daughter inquiries about whether he is a feminist or not. That was nice, and it made a pause for a sec.

Coming back, this movie isn’t just about women suffering under patriarchy. It shows that men also pay a price, which often goes unrecognized. The word “feminism” might trigger some people because it contains “fem,” but the movie makes an important point. It questions if women alone can bring about change in their married lives. It’s refreshing to see the male lead realizing this and speaking up.

What if he was a typical man who believed in the patriarchal system? He might wake up relieved that things didn’t change. He could’ve thanked God million times! Lol!!!

On the flip side, some women might fear change and accept the system. There’s nothing wrong with that if it’s their choice. This reminds me of the 1984 movie “Aval Appadithan.” The female protagonist, despite her chaos and trust issues, falls in love with the male lead, only to find out he’s married to another woman. When she questions the new wife about women’s liberation, she smiles and says she doesn’t know much about it. The lead agrees; that’s why she’s happy.

I don’t believe in equality; I believe in equity. Feminism has brought progress across domains. Thanks to those beautiful and strong women out there. But to take it further, men need to understand that they are also victims of the system.

True progress requires understanding that both genders and the issue prevailing. The constructed social norms of today affect both. This film serves as a thought-provoking reminder that change is possible, but it takes collective effort and empathy. Watch it, reflect on it, and let’s push for a better world.

Ending this with a quote from Swami Vivekananda

Educate your women first and leave them to themselves; then they will tell you what reforms are necessary for them.

Cheers!

PS: Watch it Amazon Prime

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My Big Bang Theory Journey!

“The Big Bang Theory” and “Young Sheldon” became my comfort shows, bringing laughter and heartfelt moments into my life during tough time.

3 minutes

The Big Bang Theory” came into my life in 2018. It was the first American sitcom I had ever seen. Before this, my viewing habits were limited to movies and a few local shows, and I had no idea what I was missing.

Back then, I didn’t have subscriptions to Amazon or Netflix. TBH, I never knew them! OTT wasn’t that popular in those days. I used to download episodes from a Telegram channel or a link that someone gave me. I don’t remember clearly. Since I didn’t have Wi-Fi at the hostel, I had to rely on my mobile data to download 2-3 episodes daily and watch them. But hey, the struggle was worth it to watch Sheldon, Leonard, Penny, and the gang.

The main cast of the sitcom "The Big Bang Theory" posing together on a couch in their quirky and eccentric style

At first, the scientific jokes flew over my head, but I stuck with them. Slowly, episode by episode, I grew to love the peculiar characters and their weird adventures.

I loved all the characters, but Penny and Sheldon stood out to me the most. There was something special about their bond. I did lose track of it in between. Fast forward to the pandemic. Stuck at home, I decided to revisit The Big Bang Theory. I finished in 2020, during the COVID-19 lockdown.

Sheldon in a red shirt is embracing a smiling penny in a colorful dress in what seems to be a library or bookstore setting

Certain episodes, like when Leonard slapped Sheldon, Penny comforting Sheldon, Amy and Sheldon’s breakup, Raj’s inability to find a girlfriend, the gang’s dinner hangouts, Howard’s mother’s voice, Sheldon’s obsession with his schedule, his proposal to Amy, and his Nobel Prize speech, left a lasting impression. Obviously, Sheldon’s memorable “Bazinga!” moments.

A group of friends is gathered around a table enjoying food and drinks in a cozy living room setting.

It was like slipping into a comfortable pair of shoes. It was even funnier the second time around. I felt a bit sad when I finished watching them.

Then, I discovered “Young Sheldon,” which I enjoyed just as much. It was fascinating to see Sheldon’s childhood. Seeing the characters as kids was a little strange, but the actors nailed it!

The cast of "Young Sheldon" posing together in a diner-style setting

Young Sheldon” had many touching moments, like Missy’s Barbie dinner, her driving lessons, Texas snow globes and Sheldon’s adventures with a dog. The family dynamics, Sheldon and Missy’s talks, Missy’s baseball, Mary discussing God with Sheldon, George comforting Sheldon on a flight, Tonarado, Texan things, role of Dr. Sturgis were all beautifully done.

The honest family conversations and heartfelt moments were a delight. Especially his meemaw. I wish I had one like Sheldon’s! Gerogie’s accent, especially when he makes a sound like ahhaaan. Love it! He stole the show for me in certain scenes.

A father in a suit is helping a young daughter wearing a tiara at a dinner date in a restaurant.

Additionally, I also enjoyed the show’s reveals, such as Sheldon and Amy naming their baby Leonard Cooper. I wonder what they named their daughter! Reason for sheldon’s three knocks! Lol!

Knowing Sheldon’s father would pass away was tough. When I saw that episode, I couldn’t hold back my tears. However, I was glad to see Sheldon and Amy make an appearance in the finale episode. But even with the sad moments, the show left me with a warm feeling.

I might regret not remembering the other scenes later. 😦

So, The Big Bang Theory or Young Sheldon? Both! They’re like two sides of the same coin. Both series have provided laughter, comfort, and valuable life lessons. They reminded me of the importance of friendship, family, and finding joy in the little things, even during tough times. If you haven’t experienced these gems yet, do yourself a favor and dive in. You might just find your new favorite comfort shows, as I did.

Cheers!

PS: Soft kityy, warm kitty, Little ball of flur!

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Why B&W Still Matters in the Digital Age?

Monochrome photography captures timeless charm, rooted in the 19th century and evolving into modern digital art forms. Renowned legends and prestigious awards celebrate its emotional depth and powerful simplicity.

5 minutes

A single image, frozen in time, can evoke a thousand emotions. As the days go by, my love for black-and-white images keeps growing. After seeing “Perfect Days” and “He All That,” I felt even more drawn to them. In “He All That,” the lead uses an old monochrome camera, and the pictures were really nice.

The camera used in Perfect Days was the Olympus Mju I. The ones used He’s All That and Encounter (kdrama), assuming it to be Nikon FM2N. I am not sure tho! This attraction is getting stronger, make me to write about it. I’m eager to know more. It might be a long journey, but it’s a strong one.

Monochrome photo of a young man and woman with 'LOSER' tattoos, laughing together against a brick wall
Movie: He’s all that (unshamed of their loser tattoo)

Photography’s journey began in a colorless world. The art of capturing images in shades of black, white, and gray holds a timeless charm. The first permanent photographs, captured in the 1820s by Joseph Nicéphore Niépce, were monochromatic. The origins can be traced back to the work of Louis Daguerre in 1839. His invention, the daguerreotype process, revolutionized the world.

Few decades later, in 1888, George Eastman introduced celluloid film rolls and the original Kodak box camera. The photographs no longer had to be on coated plates. The images could also be caught on a long, flexible strip of film (a long black strip, you’ll remember?) inserted into a simple portable camera. These early films were monochromatic, sensitive only to light. It laid the foundation for the monochrome photography throughout the 20th century.

A highly detailed, abstract monochrome artwork with swirling black and white paint patterns blending together in intricate, fluid formations.
Photo by Dan Cristian Pădureț on Unsplash

Science Behind Monochrome

Unlike color photography, which captures the entire spectrum of light wavelengths, monochrome photography focuses solely on the intensity of light. The core principle relies on the photochemical reaction between light and light-sensitive chemicals.

The image is formed through a lens (a convex lens) onto a light-sensitive film. Early cameras used flim consisting of a thin plastic base coated with silver halide crystals, typically silver bromide (AgBr). When light strikes these crystals, it excites electrons within them. These excited electrons can react with nearby silver ions, causing them to be reduced to metallic silver.

The more light that hits a specific area of the film, the more silver halide crystals get bombarded with light, resulting in more metallic silver being formed during development. This creates a negative image, where areas with high light exposure (bright areas in the scene) appear darker on the film, and vice versa.

Black and white photograph of human hands gently cradling a small, furry animal, symbolizing nurturing care and the protection of new life.
Baby Luigi GianninoBW photography

After development, the film is subjected to a stop bath to halt the development process. A fixing solution is used to remove the unexposed silver halide crystals. Leaves only the developed negative image. Finally, the film is washed and dried, resulting in a fully processed negative that can be used to create positive prints.

I know it is hard to understand through videos; let me attach a video. Check this out.

Cool isn’t?

Monochrome in the Digital Age

The arrival of digital cameras hasn’t diminished the beauty of monochrome photography. Regular cameras use a color filter to capture red, green, and blue light. Monochrome cameras skip this filter, capturing all light for potentially sharper, low-light images. Many modern cameras offer dedicated black and white modes or film simulations, allowing photographers to take a shot of a scene without the distraction of color.

Additionally, digital editing apps provides even greater creative freedom. Yet, the core principle remains unchanged – to capture the soul in shades of gray.

A misty, monochrome landscape featuring leafless, reflected trees rising from shallow waters, evoking a surreal and tranquil atmosphere.
Photo by J. E. Schoondergang on Unsplash

Brands and Awards

Monochrome photography dominated until the 1930s, when color film, such as Kodachrome, began to emerge. Yet, this one? Still amazing and mesmerizing!

Nikon F, Canon F-1, Pentax K1000, Olympus, etc. capture some of the most iconic images in history. If there is any photographer’s reading this, do let me know if there is anything I missed out on. Leica, can be added?

Kodak, Fuji, Agfa, and Ilford manufactured the monochrome films.

These vintage ones are absolutely stunning!

Photographers

While browsing all these things, I came across a few legends. Artists like Ansel Adams, Sebastião Salgado, Ram Rahman have left an indelible mark on the art form. There are awards for the best mnochrome pictures. The World Press Photo Awards, ICP Infinity Awards, Sony World Photography Awards, Monochrome Awards, and PX3 Prix de la Photographie Paris are some of them. Check out their gallery for the beautiful pictures.

I can’t insert their pictures; everything has copyright. (My bad!). Here, some of mine!

In a world bombarded with color, black & white photography offers a refreshing escape. It distills a moment to its essence, forcing us to appreciate the raw emotion in the interplay of light and shadow. Whether captured on film or digitally, it has the ability to strip away our attention. Black & white photos touch our hearts in a special way, don’t they? Even with fancy new cameras, black-and-white pictures never go out of style. They remind us that artistry can be created with just the simplest elements, a lasting tribute to the enduring power of this timeless art form.

Cheers!

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How Movies Opened My World!

The pandemic led me to explore diverse movies, expanding my cultural and emotional horizons. From Hollywood to Indian, French, and Korean films, the experience broadened my understanding and offered solace.

6 minutes
Photo by Tyson Moultrie on Unsplash

Before all the pandemic stuff, I wasn’t really into movies. Yeah, I’d hit up the movie theater every now and then, catch a flick—you know the drill. But who would’ve thought that this whole movie thing would turn into a whole new adventure for me? It’s like I stumbled upon a treasure chest of storytelling that I never really paid attention to before.

Back in the good ol’ days before COVID took over, my movie journey was pretty much Tamil, Malayalam, a few Hindi, and English movies—that’s about it. I wasn’t really digging too deep into the movie world, just dipping my toes here and there.

Then came the pandemic, and there I was, chilling in my little place with not much to do. I started watching those fun reality shows from way back when, you know, the ones that give you a good laugh. But then a buddy of mine swoops in with some movie recommendations, like “Badhaai Ho,” “Chhichhore,” “Dia,” “Dream Girl,” “The Girl Next Door,” and even some classics that were older than my grandma. I’m thinking, “Alright, let’s give these a shot.

And holy smokes, that’s when the whole game changed. Suddenly, I’m not just watching these movies; I’m diving headfirst into their worlds. I’m paying attention to the plot twists, the cool dialogues, the music that hits you right in the heart, and those scenes that make you feel like you’re right there with the characters. It’s like I’m on a movie marathon, binge-watching like there’s no tomorrow.

What’s crazy is how these movies were totally different from the usual stuff I’d seen before. They had these wild storylines that took me to places I never even imagined. It was like peeking through a secret door into a whole new universe that I never knew existed.

I’m not exactly a global movie buff, but I’ve got a taste for Hollywood, Indian, French, Chinese, Thai, and even Korean and Japanese films. And let me tell you, it’s like a burst of happiness hit me when I started exploring movies from all these different corners of the world. It’s like a shot of dopamine for my curiosity.

It’s really cool how some movies take you into completely different cultures. Just imagine: the main character decides to move to a new place, and all of a sudden, you’re right there experiencing the vibe and way of life of that place. Think about movies like “Into the Wild,” “Emily in Paris,” “Perfect Pairing,” “Queen,” “Falling Inn Love,” and a bunch of others (you know, the ones that are almost at the tip of your tongue but not quite). It’s like finding a hidden treasure chest filled with all kinds of different cultures and exciting stories.

Certain movies have played a crucial role in shattering stereotypes, while others have bravely tackled taboo subjects. I’ve come across films that opened my eyes to the fact that some issues aren’t as monumental as they might seem, urging me to view them from a different angle. Titles like “Sex Education,” “Sky Castle,” “Aruvi,” “Piku,” “Super Deluxe,” and “Modern Love” have been particularly impactful in this regard.

Several movies have played a significant role in deepening my understanding of trauma and addressing societal issues. Films like “Beef,” “Tamasha,” “Dear Zindagi,” “The Great Hypnotist,” “Kill Me, Heal Me,” “It’s Okay to Not Be Okay,” and “It’s Okay, That’s Love” have been powerful tools in shedding light on these important subjects.

There were instances when I experienced deep emotional lows, causing me to question whether I was the only person undergoing such hardships in the world. During these contemplative moments, specific series such as “My Mister,” “Liberation Notes,” and the impactful film “Parasite” emerged as sources of solace. Collectively, these narratives illuminated the fact that although my struggles were deeply personal, they were not singular, thus dispelling my feelings of isolation and reaffirming a profound connection to the broader human experience.

Back in the day, I’ll admit I was a bit naive. But you know what they say – life isn’t just rainbows and sunshine. It was these shows that truly opened my eyes to the shades of gray in people’s characters. From the glitzy world of “Celebrity” to the intriguing dynamics of “Mukuthan Unni Associates,” the gripping twists in “World of Married,” and the intriguing choices in “The Menu,” – they all hit home a powerful message: people aren’t always what they seem.

Some movies really capture the heart of what it means to be a woman. Like in “Aval Apdithan” and “Kalyana Agathigal,” they dive deep into women’s lives, showing all the ups and downs they go through. Then there’s “Queen,” where the main character goes on this big journey of finding herself, and “The Intern,” is all about how different generations connect. “Magalri Mattum” and “Iravi” also add their own spin to this theme. These films paint a vivid picture of what it’s like to be a woman, making you really feel their stories.

Specific movies hold a remarkable capacity to kindle my imagination and infuse life with hope. Works like “Tenet,” “Inception,” “Dead Poets Society,” “Chef,” “Good Will Hunting,” and “The Shawshank Redemption” possess the unique ability to transport me to uncharted realms of possibility. Through their captivating narratives, they awaken a sense of wonder, nurturing my capacity to dream and cultivate optimism for the future.

Some shows work wonders in helping me unwind, acting like a delightful dessert after a demanding day. I find relaxation in watching a few episodes of well-loved series such as “The Big Bang Theory,” “Young Sheldon,” “Friends,” “Suits,” and few old Tamil movies (“Mouna Ragam,” “Minnale,” “Suriyavasam.” etc) These shows create a cozy atmosphere, enabling me to escape into their familiar and comforting worlds, providing a much-needed respite for my mind.

Countless movies spring to mind that I’d love to reference, yet they seem to slip my memory as I put pen to paper. It’s intriguing to ponder how my perspective on these films might have diverged if I had been born in a Western country rather than my small Indian hometown. Equally captivating is the thought of how my outlook would differ had I grown up in a remote and less-exposed place where access to cinema was limited. Our origins undeniably shape the lens through which we view the captivating world of movies and their narratives.

When our perspectives, opinions, and beliefs are molded by a confined circle of individuals, societal norms, and limited exposure, it raises an important question: how can we confidently determine what is right or wrong?

Cheers!

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Gargi Movie Review (2022)

3 minutes

This is the title of a south Indian movie that was released on July 2022. I have seen quite a lot of movies and read articles about rape, sexual harassment, molestation, gender violence, etc., We know that a lot of incidents are taking place every second and then. When there is such an incident, people talk about the physical pain that the victim has gone through and rarely about the psychological aspects.

The movie focuses on the main character led by a woman (named Gargi) who takes an aside with one of the abusers of child rape. Gargi is working as a school teacher born into a middle-class family and got settled in Chennai. She has a younger sister who goes to school and her mother is a housewife.

Gargi sitting in the last seat of public transport and lost in her own thoughts

The story begins when her father (aged around 60) goes missing on the same day when six people who raped a minor girl were arrested. She insists her mother keep her younger sister safe as she is of the same age as the victim. Meanwhile, she searches for her missing father. Her father was arrested as one of the abusers and she believes it to be a mistake as he is a worker in the crime spot. Before she could try to understand, things ended up in court. She stands with him, believes him, and fights for him.

She recalls how she was molested by one of her school teachers during childhood. Her father stood all by her and taught her to be brave and retaliate when things go bad. All memories gave her strong grounds to battle against the false accusation made against her father. This is how everyone out there reacts when it’s pointed to the family.

Though the movie contains a lot of court and police scenes, crime spots, and some hard visuals of child abuse yet it brings out the psychological aspects of the victim’s and the abuser’s family who goes through much pain. Gargi finds out that even her father was one among them while collecting evidence to prove her father innocent. And at the last, Gargi acts morally and makes sure that justice is being served even though she ended up losing.

The main lead did her part so well and it feels like you’re walking through her parts of life. Though most of the reports and articles say that child abusers are friends, family members, neighbors and its hard to find until the child opens up. It’s not easy for them to forget and heal their traumas irrespective of gender.

This movie created a huge impact on me and the family was given more importance than the gender stereotype which was thought-provoking. It’s kind of a hard-hitting and moderate thriller movie. However, it slaps you with the question “What if that was your father or one of your family members?

PS: Watch it here.

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